For Foley artists, dialogue editors and sound crew

Foley, dialogue andsound crew jobs

Foley artist jobs, dialogue editing and ADR sessions in post, and recordist and boom roles on set. List your kit, your DAW and the sessions behind your reel, and apply where the schedule fits.

Sound / 9 roles / Find Jobs
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Sound

Location crew capture it; post crew clean, build and mix it.

01 Assistant Sound Recordist

Supports the sound team with setup, cabling, wireless and sound logging on set.

 02 Boom Mic Operator

Places the boom to capture dialogue cleanly, tracking actors shot by shot.

 03 2nd Boom Operator

Second boom on complex scenes, covering extra angles and mics.

 04 Special Effects Recordist

Records ambiences, effects and specific sounds to build the sonic world.

 05 Sound Supervisor

Plans and leads the whole sound workflow, from recording to Foley, ADR and the final mix.

 06 Dialogue Editor

Cleans, syncs and smooths dialogue, prepping ADR and separating production tracks.

 07 Re-recording Engineer

Balances every audio element into the final mix and delivers the master tracks.

 08 Foley Artist

Performs footsteps, movement and prop sounds in sync with picture.

 09 ADR Engineer

Runs ADR sessions, recording and delivering clean replacement dialogue.

Why creators join Artisty

On set, start on the cables

Assistant recordists and second boom operators learn mics, wireless and logging before running a recorder of their own.

In post, start in the edit

Dialogue editing and ADR teach you how a track is cleaned and rebuilt. Plenty of sound designers and mixers came up this way.

Foley is a craft of its own

Foley artists perform sound in sync with picture. It's physical and specialist, and a reel of before-and-after scenes speaks for you.

Bring your reel and your kit

Pick the sound roles you can do, on set or in post, and list your kit and software so your filmy network knows what you bring.

01 Pick your side: set, post or both Join for free
02 List your kit, DAW and sessions
03 Apply with a sound reel

Sound FAQs

Hiring for Sound?

See this department from the production side

Hire Talent · Sound

Foley, ADR and location roles go up on Artisty from productions and post studios. Choose Foley artist as your role, add a reel of scenes you've performed, and name the studios or shows behind it. Matching sessions appear for you to apply.

A dialogue editor cleans, syncs and smooths the production dialogue and marks lines that need replacing. The ADR engineer records the replacement lines with the actor in the studio.

Yes. Pick roles on set and in post when you sign up, and list your credits on each side. Many recordists also edit dialogue between shoots.

For recordist roles, productions often expect it. List your kit clearly, and if you don't own one yet, start with assistant and boom roles.

Your profile, kit list and reel. Your number and email stay locked until the production unlocks your profile, so calls come only once they're interested.

Building a profile is free. Applications draw on credits, which you put toward the sessions you want.